Two poems by Anuja Mitra
write soon
what rituals exist
for a dead language?
though I was the killer
I covered my mirrors for weeks
like the Victorians
those masters of grief
owners of tintype stares
and tragic ends
letters kissed closed
with violet, lilac, dead men’s bells:
all the things
that made you want
that morbid glamour
made us children
take to pen and post
drawing new bodies
and new verbs to live in them
new mouths to pour forth
our fledgling grammar;
all the things
that made you cry
smoothed over then
by better words —
by this vocabulary
that might have stayed
if we were not killers
thinking we could never lose
a long-loved tongue
left fallow in the reams
of my unfinished replies
still whispering through
the envelopes
still humming
in our private dialect:
here is everything
that meant something,
here are all the things
that made
you.
My Spider
bug-catching, in my house,
is a sport born of necessity.
beetle and mantis we contain
in a glass, whisk off
to kinder climates.
but you are ineradicable,
my spider.
even the cats look upon you
like a charmless toy.
I watch you spin
your lone descent,
wonder if you’re not wanting
for comfort, not to mention
friends.
it’s something to do
with your habits, how you keep
pitching your parlour
where the landlord disturbs it,
another web made victim
to my umpteenth spring clean.
your cousins meanwhile
enjoy the lifestyle of champions;
wrapped round a branch
where breeze is no threat
and flies are aplenty.
one whiff of their garden air
and you’re gripped, transfixed,
as though thinking to swing
inch by inch
toward some better place.
Anuja Mitra lives in Auckland with many cats. Her writing can be found in places like Cordite, Poetry NZ, Starling and Sweet Mammalian, though possibly her finest work remains tragically unfinished in the notes app of her phone.